And we haven't stopped watching it since last night...
[when asked if they're a parody rock band]
"We're not a 'parody' of anything. Don't use that word...We're the fresh new sound of rock music."
- Justin Hawkins, frontman, The Darkness
[when asked if they're a parody rock band]
"We're not a 'parody' of anything. Don't use that word...We're the fresh new sound of rock music."
- Justin Hawkins, frontman, The Darkness
Ever the consummate (and addicted) online shopper, I noticed the above ad that came through the fatwallet feeds tonight. All I can say is WOW! And notice the recommendations that come with this product ...
So during today's dark, rainy, pre-winter solstice evening, instead of cursing the darkness, Jude and I lit candles.* Well, made candles, actually, and with the Cooks and Cooneys. I have to say, it was one of the most soul-satisfying experiences I've had; there was something about hand-making one's own source of light (although we're not sure if we'd use our candles anytime soon- right now, they're too precious...) that moved me very deeply. And the significance of us doing this during the last few longest nights of the year was not lost on me.Not only are homemade gifts less expensive, they also capture the spirit of holiday giving in a way that purchased gifts simply can't. And if you consider the ubiquitous traffic and holiday crowds, a leisurely morning spent baking breadsticks or whipping up a batch of homemade marshmallows seems positively Zen-like by comparison.
-L.A. Times, "50 ways to make your holiday gifts homemade"
1. Frisbee fun, 2. My favorite photo of Ursus, 3. Caught it!, 4. Tugging at the same frisbee
Making kaya is a labor of love. It has to cook slowly over low heat and requires constant stirring so that the eggs don't curdle or scramble. Which also means it was an exercise in patience for me, standing over the double-boiler for 45 minutes doing nothing else but stirring. And listening to Jude play around with his iTunes playlist.
You can see here that the kaya is thickening up, reward for all the care you're taking. It transforms from what was a runny, eggy yellow mixture into a lovely pale golden curd.
After 45 minutes, the kaya is ready. A faintly sweet pandan scent hits you as you decant the kaya out of the pot. The texture is almost voluptuous, fuller than I what I'm used to, but in a good way- thick, luscious, but not heavy, like a lovechild between custard and pudding. And it has beautiful flavor. You can taste each and every ingredient so distinctly because it's just so fresh. The only thing though is that I would have liked it to be a deeper color. I might add some caramelized sugar to it when I make my next batch.
To complete the experience, Jude and I spread some kaya over buttered toast for tea. I'm happy to say, it was like I was home :)
[Recipe modified from here.]
We love the Shadow Art Fair. Started in July 2006 as a prequel-- and tongue-in-cheek competitor-- to Ann Arbor's over-hyped, overcrowded, and overpriced art fairs, the SAF in Ypsilanti-- the town next to us (some call it Ann Arbor's poorer cousin)-- is now pulling its own weight and drawing a loyal group of followers to the Corner Brewery twice a year. An eclectic mix of local and regional artists and designers doing their own wonderfully whimsical thing, I love the SAF for its unpretentious indie vibe and the awesome coziness of just a bunch of people happily cramped into a pub rather than the sprawling monstrosity that is the Ann Arbor art fair which not only disrupts the whole town every summer, but doesn't even really sell much art (no one can convince me that sunglasses or toaster ovens constitute art).
It's just so sweet and delightfully strange (especially in the context of the rest of his work) that I can't wait to frame it up so that we can put it up on our wall with the rest of the prints we've been collecting :)
Christian the Lion was a little lion cub that two young guys saw on sale at Harrods in London in 1969, back when department stores sold these kinds of things. They took him back to their flat, where he got into their sock drawers and played with balls of string. They befriended a vicar who let them use a local churchyard as a playground for the cub, and at the beginning of the video (which someone pulled out of an old British documentary and posted on YouTube last summer) there’s Super 8 footage of them frolicking about. Then text appears on the screen explaining that once Christian got too big, the boys had to take him to Africa to be with his own kind.
A year later they decided to go visit him, even though they were warned that Christian had become a full-grown lion with a pride of his own and wouldn’t remember them and would perhaps attack them if they went. They went anyway, these two tall, floppy-haired guys whom I admit I am seriously crushed out on, and the next thing you see is this grainy footage of them standing in the African sand, calling Christian’s name silently, because there’s no sound. Oh, and I’m sorry, did I forget to mention that Whitney Houston’s “I Will Always Love You” is playing in the background, and that as you see Christian appear and are still unsure what’s going to happen (my friend Heather was convinced she was going to witness the two boys’ deaths; she couldn’t understand why else I was freaking out so much when I made her watch it) you hear Whitney sing, “I wish you joy and happiness, but above all this, I wish you lo-uh-ove,” and then Christian is running toward the boys, leaping onto his hind legs (“Watch out!” Heather screamed at this part) and the music is all, “And I will alll-ways love you,” and you see that Christian not only remembers them but that he loves them, dearly, desperately, he is hugging them with his enormous lion paws? And one of the guys, who looks a lot like a young Roger Daltrey, actually, has this huge smile on his face and you can see him choke back a sob. It’s just the most solid reason I’ve seen yet for why the Internet should exist. By the way, the video isn’t nearly as effective without the Whitney Houston song. I’ve tried watching it both ways and, really, you need the song in order to experience the full-blown effect.
- Starlee Kine, NYT Magazine, November 23, 2008